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Movie review:- Direction: Bose Venkat
Daddy’s murder is a violent lesson for his father, the virgin mother.
Auto-driving Sriram and Murugadoss are cousins in Chennai. For those who live comfortably in the city, there is a flashback behind the auto. Early one morning, they are riding in Sriram’s auto, and Vishnu and Sayadevi, a romantic couple from Chennai, leave. The two are drinking near the house of Sriram and Murugadoss. In the meantime, his mother and his men are coming to Chennai in search of rich Vishnu. Their plan is to kill Chayadevi and take him to Vishnu.
In the meantime, Vishnu is killed and Sai Devi is pregnant, alone. Shriram is an orphan in a town that no one knows. She is unmarried and she has to act as husband to Chayadevi. In the meantime caste fanatics go to jail and come to Parole’s father. What comes next is the shock climax
Actor Bose Venkat becomes director. You can admire him for taking the story based on some real events in the first film and trying to tell it nicely.
For the hero Shriram, the character in the face of the tragedy that lies within. He does it perfectly. When she is known as a lover, she quietly pretends to help herself, leaving her home alone for the lonely Saaadevi, understanding and avoiding the feelings of love.
For strong character Chayadevi. No one would believe it even if it was the first film he promised. Mature acting. There is a chance for a round in Tamil.
Aadukalam Murugadoss takes care of the comedy area. Applause for his comedy in some places. Priyanka, wife of Robot Shankar, arrives as a councilor and a house owner. His intimidation and rolling were stunning.
Vishnu comes to mind even though he only came in the first half. Superkut Subramani, who is in the act of aspiring to be an auto driver, buried in love, buried in the mind, Valaina, wandering with caste is the perfect choice.
The background music of Hari Sai and the cinematography of Harish Ji’s helps to keep the story going.
The climax is shocking even though many films have seen racist atrocities
Returns. The director who focused on the story is still in the script
Though there may be flaws in the mix, the director can leave it as it is the first film. This is because no matter how many films against caste fanatics are necessary.
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